chimera.

January 26, 2016

“fantasy is hardly an escape from reality. it’s a way of understanding it.” // l. alexander

an odd thing to admit, maybe, but i haven’t picked up a fashion rag in months.

with those monthlies comes an internal push and pull – of want, and then, what to do with them when you’re done?

i used to keep a few, (a few too many), the ones that felt special. the fat ones that came out in september, those that hurt your shoulders if you lugged them around in your shoulder bag for too long. the ones that featured some fantastic editorial, beyond the norm, or those that just spoke to me somehow.

there was a time, that they played such an integral part of my everyday, that a copy of french vogue, then still edited by carine roitfeld, played into how my then-boyfriend-now-husband, proposed the idea of getting into a white dress and playing house for the next five decades or so. i was devoted.

and then one day, packing, as we were moving house, i realized, this mountain of glossies had become a hindrance. it wasn’t economical, it’s wasn’t minimal; it was a heavy burden of copy, ink and paper cuts. they were brought to the curb, and i hope, recycled into something more useful, but no less beautiful.

i miss those moments, the ones whilst flipping through the pages when i had to bring the photo right up close to my face, as if to soak up some small piece of these weird and far-fetched chimera – the dreamscape of those who can see make-believe and bring it to reality.

perhaps just for old time’s sake, i’ll visit the presse international, and pick a little something up – just to see if it lives up to the memory.

Eternal Optimist Vogue 2012 G Coddington Vogue Paris, June:July 2011 VogueParisMarch2011 Inez Vinoodh

W Spellbound Steven Meisel September 2012

 

➝ source : “eternal optimist” / vogue march 2012 / grace coddington

➝ source : “downtown girl” / paris vogue june/july 2011 / inez + vinoodh

➝ source : “pop egérie” / paris vogue march 2011 / inez + vinoodh

➝ source : “spellbound” / w magazine september 2012 / steven meisel

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